Raquel Maldonado

I'm Still Here

I'm Still Here

I’m Still Here is a 2024 Brazilian historical drama that won Best International and was nominated for Best Picture and Best Actress in a Leading Role at this year’s 97th Academy Awards. It is set in the 1970s, in Rio de Janeiro, during the dictatorship that lasted 20 years in Brazil. The story portrays a beautiful family consisting of Rubens Paiva (played by Selton Mello), Eunice Paiva (played by Fernanda Torres), and their five children.
The Day I Died

The Day I Died

I died, and it wasn’t from pain, or old age, or illness. I died, and it wasn’t from mourning, from ending, from longing, from joy. I died, and it wasn’t sadness, hate, work. I died, and it wasn’t in past lives or future lives. I died, and it wasn’t from anguish, loneliness, bitterness. I died! I died of being me.
An interview with Sandy Krasner: Fighting Climate Change

An interview with Sandy Krasner: Fighting Climate Change

Sandy Krasner has dedicated over 45 years to his work as a System Engineer at NASA’s Jet Propulsion Laboratory (JPL). He is also the leader of the Pasadena-Foothills chapter of Citizens’ Climate Lobby (CCL), an international nonprofit organization advocating for national and global climate action, and a Pasadena 100 climate coalition member.
The British Schindler

The British Schindler

Nicholas Winton is an English stockbroker who has a comfortable life in 1930 London but knows that Hitler’s Germany is invading Praga, Czechoslovakia; with a humanitarian group, he helps save 669 children from Nazism. Winton worked quickly to find foster families for hundreds of children—a beautiful and sad biographical story. Winton was a kind of Schindler but an English one. Nicholas saved these children, but always wondered what was going on with them. He kept this story a secret. Only the people who helped save these children knew until his wife found a scrapbook with photos of the children decades later (in 1988) and, talking to her husband, discovered the whole story. Grete, his wife, shared this story with a historian, which led to a British TV show. This widely-watched program interviewed him and allowed him to meet these “children” again, who were already adults at the time, in a very moving encounter that was the film’s climax.